Lisa Tannebaum_Masthead.jpg
Lisa Tannebaum_Masthead_01.jpg
Lisa Tannebaum_Masthead.jpg

Overview


Lisa
Tannebaum

SCROLL DOWN

Overview


Lisa
Tannebaum

Lisa.jpg

Expressive musicality and creativity

The New York Times

 

BIO

Hailed for her “expressive musicality and creativity” by The New York Times, Lisa Tannebaum has performed solo, chamber and orchestral repertoire at major venues and festivals throughout Europe and the United States.

Whether Ms. Tannebaum was touring in Europe with the Broadway show “42nd Street”, with “The Fantasticks” at the legendary New York Sullivan Street Theatre, or playing both on land and at sea on the Queen Elizabeth II trans-atlantic crossing, Ms. Tannebaum has enjoyed her diverse career. Ms. Tannebaum ”superb talent” (D.J. Luksetich, The Star) has also been featured in solo, chamber and orchestral performances with notable conductors and composers such as  Sergiu Comissiona, James DePreist, and John Corigliano.

Ms. Tannebaum began her formal harp studies at the age of 24 after receiving her B.A. in Physics from Carleton College. Ten years later after moving to New York, she received her MFA in Harp performance from The State University of New York at Purchase. While in New York,  Lisa Tannebaum had a flourishing Suzuki studio, the first Suzuki harp studio in the Northeast. During this time she served on the faculties of the Amadeus School in Chappaqua and the Northern Westchester Center for the Arts, taught at several music camps, and appeared on a number of television programs.

While raising her family, Lisa put her career on hold. She decided to work intensively with music coaches to educate her to a new level of proficiency. Since her critically acclaimed Carnegie Hall debut under the auspices of Artists International, “…played with grace and a mastery of dynamic variation” (New York Concert Review), Ms. Tannebaum has recorded three CDs with Peter Pan Records. In 2017 she released her solo CD, “My Harp, My Heart”. 

Ms. Tannebaum plays on a Camac Atlantide and a Lyon and Healy 23 Gold.

Lisa Tannebaum_Masthead_01.jpg

Stats


Stats


SAMPLE PROGRAMS

 

SOLO PROGRAMS

Toccata
Jean-Baptiste Loeillet (1680-1730)
Transcribed by Marcel Granjany

Largo
Johann Sebastian Bach (1685-1750)
Transcribed by Marcel Granjany

Fantasie Op. 35
Louis Spohr (1784-1859)

La Source
Alphonse Hasselmans (1845-1912)

Fantasy on a theme of Haydn
Marcel Granjany (1891-1975)

Passacaglia
George Frideric Handel (1685-1759)
Transcribed by Lisa Tannebaum

Fantasie Impromptu
Frederic Chopin (1810 -1849)
Transcribed by De Wayne Fulton

Une chatelaine en sa tour
Gabriel Faure (1845-1924)

Nocturne
Alphonse Hasselmans (1845-1912)

Sonata in C Minor
Giovanni Battista Pescetti (1704 -1776)

Sonata for Harp
Pierce Houdy (1929 - )

Nocturne
Mikhael Glinka (1804 -1857)

Spanish Dances for Harp
1 Galante/Minueto
2 Oriental
3 Fandango                                                                    4 Villanesca
5 Andaluza
6 Rondalla Aragonesa
Enrique Granados (1867-1916)

 

CONCERTOS

Concerto for Flute & Harp in C
Wolfgang Amadeus Mozart (1756-1791)

Harp Concerto in B - Flat Major
George Frederick Handel (1685-1759)

Concerstück
Gabriel Pierné (1863-1937)

Danse Danses Sacree et danse profane
Claude Debussy (1862-1918)

Introduction et Allegro
Maurice Ravel (1875- 1937)

 

CHAMBER

Adagio of Spartacus and Phrygia
Aram Khachaturian (1903-1978)

Prelude, Marine et Chanson pour Flute, Violin, Viola, Violoncello & Harp (quintet)
Guy Ropartz (1864-1955)

Serenade
Albert Roussel (1869-1937)

Spirit of the Trees
Alan Hovhaness (1911-2000)

Spanish Dances for Harp and Guitar
1 Galante/Minueto
2 Oriental
3 Fandango                                                                      4 Villanesca
5 Andaluza
6 Rondalla Aragonesa
Enrique Granados (1867-1916)

Concertante for Flute and Harp
Louis Spohr (1784-1859)

Gamba Sonatas for Viola and Harp
Johann Sebastian Bach (1685-1750)

Trio for Flute, Viola and Harp
Claude Debussy (1862-1918)